First stop, a sculpture of a straw beehive that told passersby of a honey shop, back in the C19th.
This isn't research - it's just a shop window completely full of models of Japanese food, disconcertingly realistic.
But not a lot can possibly be as disconcerting as the Musée de la Chasse et de la Nature - there seemed to be a great deal more Chasse than Nature. Some of the victims had clearly escaped - most of the antique chairs had teasels on them to stop one sitting, but the one went for a more aggressive message.
Two of my chapters seem to have got together at some point in the C19th and made a sofa - bees and snails.
But the best bits for me were where contemporary art worked as a commentary on all the paintings and sculptures and tapestries of dead or dying animals - let alone on the stuffed animals and antlers and guns. There was a Mark Dion hunting cabin; an urban owl;
and this terrific collage by Daniel Horowitz, Cervus armatus, which could stand in for my whole argument about moorland and peatlands being underpinned by violence.
Then, as an antidote - and it was a beautiful day - I walked down the Coulée verte from Bastille to Vincennes - a million thanks to Avigail for the recommendation. This was the inspiration behind the High Line in NY. It started off park like and manicured;
passed through a more urban section;
became very dark and bosky,
and by the end was, indeed, abandoned railroad tracks. And then there was a bus back right to Saint-Michel!
And happily, at dinner, I was able to order the lentilles that I never got to eat in Puy this summer ...