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If I hadn't been struck by the black, white and grey composition involving a Muslim woman taking a photograph on her cell phone, I would have chosen this picture as the P of the D - a relic of the first world war - a bible, or prayer book - I couldn't quite see - that had been in a soldier's breast pocket and had stopped a bullet from entering his heart. The personal memorabilia of all kinds were the most affective objects - much more so than the Gatling guns and military uniforms, though the displays made very good use of recorded sound, from voice-over letters being read aloud, to "It's a Long Way to Tipperary," to bugles, to the whine of bombs. War certainly emerged as a very nasty thing (though perhaps the most unpleasant footage of all was of Vietnam), and wartime as full of inconveniences as much as heroism: all of this good messages to send The Young. In other words, the displays were very good indeed in bringing home the combination of mundanity and terror. But I was also drawn to Edith Cavell's stuffed dog, and a taxidermed pigeon, in a kind of parachute sling, just as it would have been tossed out of one of the very tiny airplanes...
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