I had to start the day by going to El Ateneo Grand Splendid: indeed, a wonderfully situated bookstore, in an old theater (and with a very good selection of books, too) - and then went to La Boca, the touted-up part of which makes a great thing out of what were once immigrant houses down by the old port - largely tenements housing newly arrived, made of corrugated iron, and painted with colors left over from painting ships. El Caminito was actually unbearably touristy (and remember, it's May! the equivalent of November) - not so much in terms of crowds, but because of hard-on sell (and this doubtless was intensified for me by passing a food pantry just before I got there).
It had something of the would-be cheerful air of modular housing in LA made from shipping containers ...
even if, yes, it was striking.
Even half a street away, however, it felt less ... freshly painted.
As you'd anticipate, I found the 1950s bas relief panels a fascinating carry-over from C19th Italian socialist art traditions: this, La sirga, is by Julio César Vergottini.
I got off the colectivo (#152, this time) at the very beginning of La Boca, however - about twenty five minute's walk north of here, which gave me a much better sense of the decaying nature of the district as a whole - with some lovely examples of early twentieth century/late nineteenth century architecture, all the same - including some houses that could have come straight out of London dockland; and also brought home that this is a barrio completely dominated by soccer. Deep blue and yellow - the colors of the La Boca team - were everywhere.
Why the side of the La Boca stadium should include a mural of some firefighters rescuing a mermaid rather baffled me.
I was left hoping, at the end of this, that Argentina will win the World Cup: I know the history involving England is a long one (and yes, I did see a Maradona-themed bus painted with the legend "La Mano de Dios")
There was, of course, some non-football-themed wall art, too.
Then there were houses that gave one, I think, a much better idea of what the neighborhood probably looked like.
And the pièce de resistance, waiting, surely, for their lunch.

























































